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Here, Notice how Yo-Yo Ma’s approach is quieter, inward-looking. Many Cellists will treat the 5th Suite as an outburst of tragedy and sorrow (Take Maisky as an example). With Ma, one never forgets that these are dances, and even with some rhythmic liberties, the sustained beat remains as a strong anchor, which gives each dance movement its backbone.
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Ma is using modern bow and strings, but similar to many of today’s period instruments specialists, his usage of the vibrato is sparse, only added as a decorating element or when it suits the musical phrase. Region code: ABC, Picture format:1080i 16:9, Sound: PCM stereo, DTS 5.1. Producer: Bernhard Fleischer Video Director: Bernhard Fleischer. If you are looking for an outgoing romanticism, whole bows and inflated vibrato of, let’s say, Rostropovich or Fournier, look elsewhere. Yo-Yo Ma (Cello) C Major 754408 C Major 754504: Jun 30, 2019: 2-DVD / TT: 161 min Blu-ray / TT: 161 min: Eecorded & filmed live at Odeon of Herodes Atticus, Athens, Greece.
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This third installation belongs more to the world of the first recording, though with some added profoundness (Maturity?) and a sense of inner calmness not immediately apparent with Ma’s young self. The second (1997), was accompanying some 6 short videos for each suite, had a Lower pitch and were overall more extravagant in character. The first release (1983) was confident, technically superb and well recorded for the early digital age.
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1 in G Major, BWV 1007: Allemande' and more. 1 in G Major, BWV 1007: Prlude', 'Unaccompanied Cello Suite No. Stream songs including 'Unaccompanied Cello Suite No. Well, on the one hand, not much has changed in Ma’s interpretation of the preludes and dances that incorporate the suites, nor did the first two versions were weak in any way, and can still hold their own in the catalog, 35 years after the first release. Listen to Inspired By Bach: The Cello Suites by Yo-Yo Ma on Apple Music.
YO YO MA BACH CELLO SUITE 1 FULL
Bach makes a single instrument sound like a full ensemble.This is Yo-Yo Ma’s third attempt at Bach’s 6 unaccompanied cello suites, and the question on everyone’s mind is “what’s different?”. A simple G major arpeggiated chord played expressively on the cello opens a short, but harmonically and melodically rich, 42 measures of music. If you hear the first few measures you’ll likely recognize it. These suites are all masterpieces in music and considered a rite of passage for cellists to study and master.īut there’s one movement in particular, the Prelude in G Major, that has taken on a life of its own in the minds of musicians and music lovers alike. He composed six suites for the cello - a four stringed instrument that, at the time, was relegated to the role of accompaniment in larger ensembles.Įach suite consists of movements named for various dances, and they all begin with a prelude - an improvisatory movement meant to establish the key of the suite, as well as reoccurring themes and motifs. In the early 1700s, Johann Sebastian Bach did something few, if any, composers had ever done. In a new episode of Earworm, Estelle Caswell and cellist Alisa Weilerstein break the song down to see what makes it such an effective and interesting piece of music. You’ve likely heard Yo-Yo Ma play it - he’s been trying to master it for almost 60 years now. 1 is one of the world’s most recognizable pieces of music. The Prelude in G Major to Johann Sebastian Bach’s Cello Suite No.